Fox Archives Back Office / Filmmaker Portal
Confidential
Proposal
01
Greenlit

Fox Archives

Fox Archives has 4 million assets, an incubator idea, & a whole lot of inbound requests. Greenlit is the operating infrastructure to make it real.

The Fox Archives team gets a full back office. Filmmakers in the incubator get their own portal. Fox Archives controls every gate.

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Fox Archives
Filmmaker Incubator Platform Proposal
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Proposal Deck
Confidential
April 2026
Current State
02

40 to 50 deals a month. Zero automation. An incubator idea with no infrastructure to run it.

Fox Archives processes 40 to 50 licensing deals a month through email and Excel. Invoicing is manual. When deal information moves from the archive team to finance, it changes — and someone goes back to correct it.

The incubator idea already exists. What's missing is the infrastructure to run it at volume, track revenue as it scales, and give filmmakers a structured way in without consuming the team that's already at capacity.

"There's no automation. Zero. Zero automation." — Brian Sargent
40–50

Deals/month

Handled through email and Excel with no CRM behind them.

4M

Assets

Approaching 4 million digitized assets — invisible to most of the filmmakers who need them.

Zero

Automation

Invoicing, intake, escalation tracking — all manual. Brian's word.

Missed

Escalations

No system to catch when a festival license should upgrade to all-media worldwide.

Proof Of Need
03

The inbound is already coming in. Fox Archives just doesn't have a system behind it yet.

Fox Archives handles 40 to 50 licensing deals a month through email and Excel. The team wants to build an incubator for independent documentary filmmakers. There is no infrastructure currently in place to run either at scale.

"At DOC NYC, people want footage and support — and they don't understand why we can't help them. I don't want to discourage them. I want to engage them somehow." — Brian Sargent
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Zero Automation

INVOICING

Emilia manages 40 to 50 deals a month through Excel and email. No CRM. No automation. "Zero. Zero automation." — Brian Sargent

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Archive Invisibility

DISCOVERY GAP

4 million assets — footage unseen for 50 to 100 years — none of it on YouTube. Young filmmakers assume everything they need is already there.

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Unfunded Inbound

FILMMAKER DEMAND

The Oakland Originals conversation: a real project, no budget, no structured path for Fox Archives to engage without doing free work.

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Escalations Missed

REVENUE TRACKING

Festival licenses should escalate when films get picked up by Netflix or Apple. There's no system to catch it. Fox Archives finds out when the filmmaker calls.

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The Invoice Correction Loop

INFORMATION LOSS

Deal information passes from archive to finance and arrives changed. Someone goes back and corrects the invoice. Every deal.

Pain Points
04

40 to 50 deals a month. Zero automation. An incubator idea with no infrastructure behind it.

The Fox Archives team runs one of the most valuable archive collections in the world through Excel, email, and manual follow-up. The incubator idea is real. The system to make it operational doesn't exist yet.

📊

Zero Automation

Emilia manages invoicing for 40 to 50 deals a month through Excel and email. "There's no automation. Zero. Zero automation." — Brian Sargent

🎬

Archive Invisibility

4 million assets — footage unseen for 50 to 100 years — none of it on YouTube. Young filmmakers assume everything they need is already there.

🚪

Unfunded Inbound

Filmmakers at DOC NYC want footage, support, and involvement with no budget. There's no structured way to engage them without consuming the team doing free work.

📈

Escalations Missed

When a film gets picked up by Netflix or Apple, the festival license should escalate automatically. There's no system to catch it. Fox Archives finds out when the filmmaker calls.

🔄

The Invoice Correction Loop

Deal information passes from archive to finance and arrives changed. The invoice gets corrected. Every deal. Because there's no shared system of record.

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Security vs. Access

Friction is intentional — protecting 5 million assets from theft requires it. But that same friction blocks the filmmakers the incubator is meant to reach.

System Architecture
05

One platform. Two views. The Fox team sees everything. Filmmakers see their work.

The Fox Archives back office replaces Excel and email with a purpose-built operating layer. The filmmaker portal runs alongside it — white-labeled, Fox-branded, and controlled entirely by the Fox team.

AI Automation Layer
DJ is already using Claude to move files between Box and Google Drive in a single prompt. Greenlit brings that kind of automation natively — forward an invoice, it processes. No form. No manual entry.
Fox Archives Back Office

Replace Excel and email with a purpose-built operating layer

CRM for filmmaker contacts and licensing activity. Invoicing that processes from a forwarded PDF. Dynamic pricing for licensing conversations that can't be a dropdown. Contract management with AI-assisted term extraction.

CRM
Invoicing
Contracts
Filmmaker Portal

White-labeled, Fox-branded, controlled by Fox Archives

Filmmakers accepted into the incubator see only their projects and the Fox footage available to them. Fox Archives controls intake, access levels, and licensing terms. The team sees everything. Filmmakers see their work.

Fox View
All
Filmmaker
Theirs
Revenue Waterfall

Fox Archives knows where it sits in every deal — before the filmmaker calls

When a festival license should escalate to distribution, the system surfaces it. Back-end deal structures for heavy archive use are modeled, tracked, and matched against real revenue events.

Dynamic Pricing

Model licensing scenarios without a spreadsheet

Not a Getty dropdown. A pricing tool built for the conversations Fox Archives actually has — distribution type, territory, usage volume, and back-end terms, all in one view.

Greenlit Core Platform
Phase 01
06

Fox Archives back office goes live

Emilia's Excel and email workflow moves to an automated system. Fox-branded demo interface ready from day one — built to show Finance what the incubator looks like in practice.

Scope Of Work

CRM for filmmaker contacts and licensing activity

Automated invoicing — forward a PDF, the system handles extraction and matching

Contract management with AI-assisted term extraction

Dynamic pricing UI for licensing conversations that can't be reduced to a dropdown

Fox-branded demo interface ready for Finance review

Target Outcome
Emilia's manual ops workload moves to automation. The team handles more filmmaker relationships without adding hours or headcount.
Phase 02
07

Filmmaker incubator portal launches

The portal launches under the Fox Archives brand. Brian's team controls intake, access levels, and licensing terms. Filmmakers see only their projects and the Fox footage available to them.

White-labeled, Fox-branded filmmaker portal

Structured intake and onboarding without manual steps on the Fox side

Fox footage discovery layer for incubator participants

Fox Archives has full visibility across all filmmaker projects and licensing activity

Strategic Outcome
"I'd like to know where in the stack we are, because that is a hard cost that should be recovered kind of immediately."
— Brian Sargent, Fox Archives
Fox Archives Team • Seats
Filmmaker Incubator Infrastructure
Fox Archives Team
Archive Team
Greenlit G
Recommended
Fox Archives Filmmaker Incubator
Phase 03
08

Revenue waterfall and escalation tracking goes live

Fox Archives knows where it sits in every deal before the filmmaker calls. When a festival license should escalate, the system catches it. Back-end participation structures are tracked against real revenue events.

Scope Of Work
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Festival → distribution escalation tracking — automatic, not chased

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Back-end deal modeling for heavy archive use docs (5–10 min of Fox footage)

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Revenue matching — contract terms tracked against actual incoming revenue

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Full reporting dashboard for Finance and the Fox team

🏦

Fox Archives' position in the financial stack is visible before anyone has to ask

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GREENLIT PLATFORM
📈
Escalation Tracking
🎬
Live
Festival → Distribution
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Contract Revenue Match
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Back-End Deals
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Finance Dashboard
Market Opportunity
09

The incubator pays for itself twice — first in ops, then in revenue.

⚙️
Ops efficiency
Fox Archives processes 40 to 50 deals a month through email and Excel. Invoicing is manual. When deal information moves between teams, it changes — and someone corrects the invoice. The back office replaces that entire workflow with automation. The Fox team scales the incubator without adding headcount.
📈
Revenue upside
Every filmmaker in the incubator enters at festival rates: $1,500 to $3,000. When a film gets picked up — Netflix, Apple, a streaming platform — Fox Archives is already in the financial stack. The escalation from festival license to all media worldwide in perpetuity is automatic, not chased. For filmmakers building entire documentaries from Fox footage, back-end participation replaces a flat fee. Fox recovers a hard cost that currently goes untracked.
Partnership Structure
10

Two tiers. One platform. Choose the commitment that fits.

The Fox Archives Filmmaker Incubator runs on a dual-interface platform built around how Fox Archives actually operates, a system designed for the conversations Fox Archives actually has. The internal team gets a back office that replaces Excel and email: CRM, automated invoicing, dynamic pricing for licensing discussions, and contract management with AI-assisted term extraction. Independent filmmakers in the incubator get a white-labeled Fox-branded portal — their projects, their footage options, their licensing terms. Fox Archives controls every gate. Two subscription tiers are available: an annual commitment at $115 per seat, and a 2-year committed rate at $99 per seat for teams that want to lock in the lower annual total.

Full platform — back office and filmmaker portal

CRM, invoicing automation, dynamic pricing, contract management, and the white-labeled filmmaker intake portal. Both interfaces included in both tiers.

Revenue waterfall and escalation tracking

The system surfaces when a festival license should upgrade. Fox Archives knows where it sits in the financial stack before the filmmaker calls.

Fox-branded demo interface

Built to show Finance what the incubator looks like in practice — ready quickly, designed around the actual Fox Archives use case.

Pricing
Tier Seats Rate Annual Total
Annual
1-year commitment
25 $115/seat/mo $34,500
2-Year Committed Save $4,500/yr
Locks in price through full buildout
25 $100/seat/mo $30,000
Both tiers include the full platform: Fox Archives back office, filmmaker portal, invoicing automation, dynamic pricing, contract management, and revenue waterfall tracking.
Strategic Value
11
Fox Archives
Fox Archives

Why this moment matters for Fox Archives

The incubator creates inbound Fox Archives can actually handle

Right now every filmmaker request requires white-glove handling. The portal changes that — filmmakers get a structured path in, Fox Archives controls every gate.

Revenue from early-stage filmmakers who scale

Festival licenses that escalate to distribution deals — Fox Archives is in the financial stack from day one, not chasing the filmmaker after the fact.

Fox Archives becomes the institutional home for independent documentary film

In an era of consolidation, this is the window to be the partner filmmakers actually want — not a licensing office they navigate around.

"If you're using five minutes or ten minutes of our footage and I'm going to make a doc — in that case, now that is an opportunity for us to go, well, how about we just take a piece of the back end."
Brian Sargent, Fox Archives
Action Plan
12

Proposed next steps

01

Review the two pricing tiers and confirm which fits the Fox Archives budget cycle.

02

Schedule a demo of the Fox-branded interface — built around the actual incubator use case, ready to take to Finance.

03

Confirm go-live scope and kick off the three-month rollout to full incubator capability.

"I want to engage these filmmakers somehow — at a nominal cost to ourselves, help them, and have Fox Archives play a role in their development and in their search for money and distribution."
— Brian Sargent, Fox Archives